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“Not Enough” — Sinclair Quietly Pulls Back From Replacing Jimmy Kimmel With Charlie Kirk, Leaving Fans Divided.Dang

October 2, 2025 by Dang Online Leave a Comment

The drama surrounding Jimmy Kimmel Live! has taken yet another twist. After initially vowing to pre-empt Kimmel’s show with a Charlie Kirk documentary, Sinclair Broadcast Group has quietly reversed course. Late Friday, the station owner announced that it would not air the Kirk film in the 11:35 p.m. slot, instead directing viewers to YouTube and pledging to carry ABC’s late-night schedule as usual.

The decision marks a surprising retreat after days of tough talk, and it sheds light on the longstanding — and often tense — relationship between television networks and their affiliates.

The Reversal
When ABC announced on Sept. 17 that Jimmy Kimmel Live! would be suspended indefinitely following the host’s controversial remarks about the killing of conservative activist Charlie Kirk, affiliates had already begun to move. Sinclair and Nexstar, two of the largest broadcast groups in the country, told ABC they intended to pre-empt Kimmel locally, citing remarks by FCC Chair Brendan Carr, who had suggested affiliates push back on programming that did not “reflect community values.”

Sinclair initially went further than ABC, declaring that the network’s suspension of Kimmel was “not enough.” The company vowed that Jimmy Kimmel Live! would not return to its stations “until formal discussions are held with ABC regarding the network’s commitment to professionalism and accountability.”

By Friday, however, Sinclair reversed course.

“Sinclair will continue to air ABC network programming as scheduled in the late-night time period,” the company said in a new statement, while directing viewers who wanted to see the Kirk documentary to YouTube.

The reversal underscores how quickly the Kimmel controversy has escalated into a corporate tug-of-war, with affiliates attempting to flex their muscle but colliding with the contractual realities of network–affiliate agreements.

The Contractual Trap
Affiliate agreements are the backbone of American broadcast television. They require local stations to air network programming at designated times, ensuring a consistent national schedule for advertisers and audiences alike.

Exceptions exist for breaking news, emergency coverage, or live sports, when affiliates can pre-empt the network feed.

Political or editorial preemptions, however, are more fraught. If a station pulls a program for ideological reasons, it risks being in breach of its contract.

That’s the position Sinclair found itself in: eager to distance itself from Kimmel, but wary of sparking a legal or financial dispute with ABC/Disney. Directing viewers to YouTube offered a way out — signaling solidarity with Kirk supporters while avoiding a potential contract fight.

A Pattern of Affiliate Tensions
This isn’t the first time affiliates have tested the boundaries of their agreements with networks. The history of U.S. television is dotted with similar clashes:

  • 1997 — CBS and Schindler’s List: Some ABC affiliates famously refused to air Steven Spielberg’s Holocaust drama when NBC broadcast it uncut and uncensored, citing nudity. NBC ultimately allowed the refusals, but the incident highlighted cultural divides within the affiliate system.

  • 2004 — CBS and the Super Bowl “wardrobe malfunction”: After Janet Jackson’s halftime show sparked FCC fines, some affiliates began inserting delays or additional content controls on live events to avoid being punished by regulators.

  • 2009 — NBC affiliates and The Jay Leno Show: When NBC moved Jay Leno into primetime and affiliates saw local news ratings crater, they revolted, forcing NBC to cancel the experiment within months.

  • 2018 — Sinclair “must-run” segments: In a reverse scenario, Sinclair drew criticism for forcing its affiliates to air editorial commentaries warning against “fake news.” The move sparked debates over whether networks or station owners should have the final say over content.

The Kimmel controversy now joins this lineage, showing how the network–affiliate relationship is constantly shaped by politics, culture, and economics.

Why Affiliates Still Matter
In an era of streaming and cord-cutting, one might think affiliate stations have lost their power. But their role remains central.

  • Local reach: Disney may own ABC stations in New York, Los Angeles, and Chicago, but it relies on affiliates like Sinclair to reach hundreds of mid-sized markets.

  • Ad revenue: National advertisers pay premiums for consistent coast-to-coast placement, making affiliate compliance critical.

  • Political leverage: Affiliates can exert influence not just with networks but with regulators, who often view them as closer to “the community” than distant network executives.

This is why Disney moved quickly to suspend Kimmel at the network level. By doing so, it removed the immediate preemption dilemma from affiliates’ hands and kept the national schedule intact — even if filled with reruns like Celebrity Family Feud.

Sinclair’s Conservative Clout
Sinclair’s involvement in the Kimmel controversy is unsurprising given its track record.

The company has long been accused of injecting conservative editorial content into local news broadcasts, from must-run commentaries to scripted anti-media promos.

Sinclair’s political leanings often align with Republican administrations, making it a key player when regulatory battles arise at the FCC.

With more than 185 stations across the U.S., Sinclair’s ability to shape programming gives it influence, particularly in swing states.

Its decision to reverse course on the Kirk documentary reflects both its ambition to push an ideological line and its recognition of the limits imposed by contracts and advertisers.

What’s Next for Kimmel
For now, Jimmy Kimmel Live! remains suspended, with ABC offering no timeline for its return. Sinclair’s retreat removes one flashpoint, but the larger battle — between Disney, affiliates, and federal regulators — is far from resolved.

Insiders say Kimmel is in active talks with ABC about the show’s future. Some speculate Disney may quietly buy out the remainder of his contract, while others believe the network is waiting for the political heat to cool before reinstating him.

Either way, the controversy has laid bare just how fragile late-night’s place in the broadcast ecosystem has become.

The Bigger Picture: A Strained System
The Kimmel saga is not just about one show. It’s about:

  • The vulnerability of late-night TV as a cultural forum for dissenting voices.

  • The enduring power of affiliates in shaping what millions of Americans see every night.

  • The tension between corporate caution and creative freedom, amplified by political pressure.

For Disney and ABC, the challenge is to navigate affiliate demands without undermining their talent. For Sinclair, it’s about balancing political signaling with contractual obligations. For Kimmel, it may be about deciding whether returning under these conditions would compromise the authenticity that has defined his career.

Conclusion
Sinclair’s reversal on airing a Charlie Kirk documentary in Jimmy Kimmel Live!’s timeslot may look like a minor scheduling tweak. In reality, it underscores the fragile balance of power between networks and affiliates, one that has shaped American television for decades.

The Kimmel controversy could fade with a quiet settlement or escalate into a defining showdown over free expression, political intimidation, and corporate courage.

As John Oliver said in his own defense of Kimmel: “History will remember the cowards.” The question now is whether Disney, Sinclair, or Kimmel himself will be remembered as standing up — or bowing down — when it mattered most.

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